A lot of you are walking around designing your own logos and it shows. I have always been an idea person. I struggle with the follow through like a lot of folks and I REALLY struggle with details. In my years of running my band I have found that there are things that are WORTH paying others to do for you. We all have weaknesses/blindspots and knowing yours is just as important as knowing your strengths. Some time last year I was on facebook and an amazing brewery that my bands have played events for posted a t-shirt that looked like this: This of course is a tribute to the original MTV Logo: Immediately I thought this would be an amazing merch idea for Members Only. So I immediately opened up pages and mocked up a version of my idea for the band. The results were.... not great. At this point I realized I was WAY out of my league. If I wanted to realize my initial vision, I would need an expert to get it over the finish line. In my case my good friend and bandmate Matt Chenoweth was a graphic designer. I sent him my (terrible) concept image and he took it and ran with it. A week or so later he sent me this: This was obviously the exact thing I saw in my head but lacked the technical skills to execute. I'm sure if I had taken hours to learn illustrator/photoshop to do it myself I could crank this out after months of trying. Instead, my friend who is a Jedi at this kind of stuff cranked it out in his spare time and gave me a slick, professional product in no time. I have espoused the DIY mindset in a lot of episodes and articles, and learning new skills is a must for an entrepreneur to grow and adapt, but you should also know when it's time to farm out work to others with more expertise than you. Doing so will get you further faster. Today in the mail I got my first shirt with this logo on it. We've also ordered stickers and buttons with this artwork. I'm super excited for this new branding for my band and how it will grow our awareness in our market. If you have a great idea don't let it fester in your head, find someone to help you realize it.
If you think this merch looks dope (which you should), check it out here. Hey everyone!
I was interviewed by Voyage ATL Magazine about all things music business related. I even dropped a line about the podcast. Check it out! http://voyageatl.com/interview/meet-adam-johnson-atl-party-bands-alpharetta/ As this year closes, did you play as much as you wanted to? If not, check this video out about what you can do to make yourself more marketable in 2020! A lot of us play in cover bands because it's fun, but I wanted to break down the economics of my last week to show you that even as a side hustle, playing music can still be pretty lucrative.For small businesses and sole proprietorships, it can be very easy to focus on the negative aspects and growth opportunities in our work. That constant critical eye allows us to make micro risks and innovate in a fast-paced market. I would argue that this ability is one of the main things that separate entrepreneurs from the general population. We see opportunities that others do not see, and hold the critical skills to improve and execute to make things better. In this particular season I have 3 businesses that are starting to build momentum. In a real sense I am seeing the fruit of a lot of work behind the scenes coming back around. These kinds of moments are what entrepreneurs live for. And yet, in the moment it is so easy to keep moving forward and "fix" things instead of taking a few moments and be grateful. We have a culture of upward mobility. Day in and day out we are bombarded with content that pushes us to consume more, spend more, and raise our status. Entrepreneurship culture also encourages people to "flex" with their wealth and success. This constant stimuli is robbing us of our joy. Comparing our situation to others can definitely be a motivation to work hard and strive for more, but it can also become a distraction to the many wins we see every day. My challenge to you is to find time everyday to be grateful for the things that are going right in your life and your business. If nothing else, you have air in your lungs and a roof over your head. Start there. I wrote a previous article that states that "trying is winning", and I would encourage you to embrace your effort. Reward yourself emotionally for a job well done. It could be the thing that helps propel you forward. Categoriesby Leonard Patterson- www.indiebandcoach.com ![]() I need to tell you something... While I'm a huge fan of "all you can eat" buffets... Sometimes less is absolutely more. And that's the concept I want to focus on right now in terms of marketing your live shows. So step away from the buffet. Put the biscuits down. We're about to focus on the main course. While I’m fully aware that there are hundreds of tactics, strategies, tools, and ideas on how to grow your fanbase, this entry is just going to cover just three. But they are ones I’ve used personally and have seen work really well. They can be crazy successful when used together on a consistent basis and that’s what I want to help you get set up. A plan for success. If you’re looking for the quick-fix fan-making, rockstar-building, marketing microwave method, please move along... This ain’t that. We’re going to walk you through the 3-Part Strategy and provide a step-by-step action plan to get started at the end. But some of you may be asking… Why Not Just Run Facebook Ads? Of course, there’s a lot of focus on Facebook Ads as the platform remains the social media beast that it is. But what if you’re not tech-savvy or just plain don’t want to feel too salesy? You may also wonder: “What on Earth did we/they do before Facebook became the pay-to-play machine that it is today?” If that’s where you’re at or you’re looking for a Facebook Ad alternative, you’re in the right place. But first a little context… The band I fronted with my wife, managed, and booked was an 8-piece party band that performed 125 shows a year. Very few weekends off. In the slow months, we’d have 8 gigs (Fridays & Saturdays every weekend) and in the busy Summer months we’d clock in at 15–20 shows. Now, you don’t have to have 8 people in your band (I might even discourage it), nor do you have to have shows every single weekend. But if you have a somewhat consistent schedule and are trying to get more butts in seats, these steps will lead you down that path. Here’s the exact formula we used: {Postcards + Pics + Email} (Had you scared there would be math, didn't I?) Now, let me explain. 1. DISTRIBUTING POSTCARDSOr “Gig Cards” as we called them, were a staple at every one of our shows. They’re basically a 4up cards (i.e. an 8.5x11 piece of paper cut into 1/4ths) that listed our upcoming gigs, the main social channels, and (maybe most importantly) our logo. We didn’t do anything special, didn’t have a huge budget, and spent very little time producing them. We would use them as conversation starters before and after the show and it gave us a chance to give a simple call to action without promoting a club other than where we were. EXAMPLE: “Hey, if you’re on the dancefloor, be sure to pick up one of our gig cards so you can see where the next party is and when we’ll be back here!”We wanted to be like a virus (we actually had this conversation in band practices). We wanted to be able to “spread” our info, our dates, our logo, etc. into people’s lives in a very non-virusy, intrusive way. That’s what the gig cards ended up doing. And yes, "non-virusy" is a technical term. It turns out they were just the right size to serve as ‘refrigerator swag’. People told us countless times how they would plan their weekends based on the dates on our card. Not only did it represent a fun, recent memory, it gave them specific dates for future good times to look forward to. Here's an example of one we used for our band... One note about your cards. Use your judgment, but we found it was a waste of space to include private or corporate gigs. While it may seem like a status symbol to show people you’re playing a high-profile gig, you might be better off focusing that real estate on all the things they CAN do — like come see you. 2. COLLECTING AND SENDING EMAILS Conveniently, when people would come up to snag a gig card, right next to them was our email list sign up. Now, I’ll be the first to admit, we didn’t have an awesome introductory email sequence planned out when we first started. We only had 1 automated response that introduced the band and had a link to the website. But that almost didn’t matter. What we were REALLY doing was developing a more one-on-one relationship with people when we emailed them. We used it more as a broadcast tool at the time — here’s some news about our upcoming shows, here’s some behind the scenes videos of us making our cd, etc. But. It. Worked. We also got smart and started looking for more electronic ways to get people on our list. MailChimp is great for being able to have people input their email with the use of an iPad. It even works without having to be on WiFi and you can get started for free. You can also use a paid service like Join By Text which is an integration that allows fans to join via text message directly from their smartphone. We grew our list to over 2500 people and took the time to segment. We didn’t travel a ton, but when we did, we made sure that all emails were tagged with the venue and city. Then, if we didn’t want to send out a mass email for a specific gig, we could literally target it to fans who had caught us at that venue before. I’ve used several email providers at different times for different reasons. It seems I always end up back at MailChimp. But don’t take my word for it. Other providers you can check out include:
Regardless of who you choose to go with, one of the best things you can include in your emails? The 3rd step of the plan — pictures of fans. 3. TAKING AND TAGGING FAN PHOTOSWe’re musicians. And who doesn’t like — even a little bit — to see themselves in an awesome rockstar post with lights blasting their silhouette onto the crowd as the haze creates an angelic, dare I say “God-like” presence on stage.
Yeh…. but once you’ve seen one, you’ve seen ’em all. And so have your fans. What we found that reaaaally gets shared by our fans the next day on social media is the pictures of THEM. They want to be the rockstars that night. They want to show how fun their weekend was and chances are you’re going to have the best vantage point to help make that happen. So do yourself a favor and focus your (lens) on your fans, which I dedicated a whole blog post to. Basically, in many people’s eyes, you already lead the rockstar life. So be conscious enough to make your fans the star of the show. Grab your phone or camera and snap a few pics while the energy is up. If you’re a dance band, there’s probably a song or two that have a “built-in” hand raising call to action. Yes, by all means, be ready for it and capture those moments. There’s NOTHING that translates better to fun than people who are so carefree that they’re just out in public in a bar or at a wedding with their hands in the air! You best believe it. So to wrap up the pics, I’d cautiously recommend a few donts --
But, if you’re someone who has shows on a regular basis, consistently implementing these 3 marketing tools into your gig strategy can ignite a path to better relationships with your fans. So, why wait? Let’s get started. Take just another minute to put this 3-Part Strategy in place, if you haven't already. It’s something you can do potentially even before your next show to start building community around your band and your music. + [VIDEO] Creating Community with Music Marketer Bob Baker QUICK ACTION PLAN
As I said, it’s not a quick fix and it may take a little time to see some great results, but this is a marathon worth running. You have music that needs to be heard, live shows that need to be experienced, and there are people out there right now, looking for you. I know this is the one that will get me in the most trouble. I feel like there is a divide in lots of musician circles that we, the cover band guys, are sellouts and lame for not writing our own music. It is thought that we are somehow less than because we lack the “artistic integrity” of musicians making and performing their own music. I know that sentiment because I definitely felt that way as a younger musician. I played in an original group for roughly 10 years. We were pretty good. We played a lot of shows, we made a few records and got to do some cool things. It was hard work and I didn’t make much money off of it but I still looked down my nose at guys who “gave up” their dream and played covers. Here’s the thing though: I was not a primary songwriter for that group. When we went into the studio, I didn’t play every part. When the record was done, odds are I ended up playing something the other guitar player or producer put down or singing a harmony someone else came up with. When that band split up I went the route of hired gun. My job was to play for other artists and play their songs. Again, I was playing someone else’s parts on someone else’s songs. That’s when it hit me: I was in a cover band. It didn’t matter what we played: odds are as a musician your job is to play someone else’s song. Also, most of the guys slugging it out in clubs on the weekends are recording their own music, and they’re using those cover gigs to fund it. I was working at an Apple store. So that begs the question: if all bands are cover bands to some extent, are you in a good one? What can you do to make your band better? Do all rules apply to all bands if the reality is that there isn’t much of a difference? |
AuthorAdam and Dan play in bands. They're pretty good. Archives
April 2021
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